Posts Tagged ‘UT Lab’

Evenfall Lace – Making Machine Embroidery Magic

I know I’m always excited to share new series with you, but this one is one we’ve been working on for awhile, and it’s something very special to us. Today we’re introducing our exquisite new series Evenfall Lace.

Usually as part of our Lab projects, I collaborate with a fellow designer to bring machine embroidery to life by combining it with something else… gothic gowns, blazers, even chairs. With this series, I wanted to show that machine embroidery is something totally magical all on its own. We know that it can be impressive when used with couture creations, but its beauty and potential really shine when stunning creations can be achieved by all kinds of machine stitchers and without the assistance of anything else at all. The magic of downloading a digital file and bringing a delicate lace creation to life straight from your machine is what reminds me that machine embroidery really is amazing.

And pure magic…

karrah kobus

This new Evenfall Lace series is a collection of seven freestanding lace designs, all carefully designed to work in all size hoops. These pieces range from simple things like butterflies and feathers to more complex designs that make full chokers and masks.

The word “evenfall” is another word for twilight, and represents that moment in the day when things hang in a beautiful balance of transition, even just for a moment. The themes of the lace are all natural motifs mixed with that hint of darkness that twilight brings. As it can be stitched in cotton, the lace itself can also be dyed to mimic that beautiful transition of dusk, and the results are absolutely enchanting.

karrah kobus

Simpler designs like feathers and butterflies are designed with a fusion of traditional and Battenburg lace styles, so they have both the weight and structure of traditional lace with some of the more delicate qualities of Battenburg.

Even better, we worked hard to design all these pieces so that some version of each designs works for all hoop sizes. Larger pieces, like the Evenfall mask, come in parts that are easily assembled after stitching. This way all designs can be stitched even with a 4″x4″ hoop, and you still get the stunning results of a larger piece of lace.

This flexibility also allows for some creativity in the construction. Don’t want an asymmetrical mask? Pick your favorite side and stitch its mirrored version for your second half. Basically, it’s three masks in one.

karrah kobus

karrah kobus

Chains and charms bring simple pieces like our choker and cuff to life with just simple embellishment. All it took were some jewelry pliers and some supplies from our local craft store. Other pieces like our cuff, above, just need the simple addition of ribbons or chains to  make it ready to wear.

karrah kobus

karrah kobus

Other pieces can have have life as multiple creations. This piece functions beautifully as a hair barrette with just the addition of a hair stick, but also makes a delicate lace cuff if you lace a bit of leather or ribbon through the sides and wear it on your wrist.

karrah kobus

Feathers become a multitude of things, from the simplicity of a single earring to a full size set of beautiful lace and feather wings. Wear them as charms on a necklace or use them to build elegant creations of your own.

karrah kobus

karrah kobus

Just because there are seven lace pieces doesn’t mean there are only seven things you can make. Scraps of fabric and multiples of our lace edging brought a chandelier to life, and we used a combination of our cuff design and parts of the choker to construct these delicate lace heels. A little glue and some stitches and you have a pair of one-of-a-kind shoes that could have walked straight off the runway. That is perhaps the real magic of this series… its potential to be all kinds of amazing things.

With this series, we hope to show that machine embroidery needs no other accessories, gowns or beautiful surfaces to live. It’s enchanting all on its own, with the right designs and a creative imagination.

With all the wizardry of modern technology, downloading a digital file that lets you create an endless collection of stunning and delicate lace accessories right out of your embroidery machine really feels a bit like magic.

karrah kobus

And when it ends up looking like this, it’s not hard to believe a little magic is possible.

Grab the whole pack and get stitching for an amazing fall season, and check out our tutorial page to see how to create these magical pieces.

Want to see this collection in action? Watch our lookbook video of the Evenfall Lace series, and see how some of these pieces came together.

As with all these projects, none of it would have come together without some amazing help. All photos where marked were shot by the amazing Karrah Kobus, styling done by our usual style guru Sara Capers, and the video was shot and edited by Mike Ross.


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.

Needlework & Skirts – Guys in the Handmade World

First, let’s get one thing straight. I know that’s not a skirt, and I know that Alt.Kilt, the creators and purveyors of the fine and fashionable kilt in this feature, will probably flay me for saying so. But my deliberately provocative title is there for a reason, and that reason is one we probably all know too well. That despite the Scots’ fierce tradition and the general badass-edness of kilts these days, some people will never see them as anything but a man-skirt.

That, I think, is why needlework and skirts, or a highly accomplished art form and a celebrated outfit of Scottish clansmen, go so well together. Because despite the DIY community’s best efforts to encourage and include guys into the fold, it is inevitably with the caveat of it being with extra manly crafts. Carve yourself a new chair! Metalsmith yourself a new planter. Cut up leather and make rugged, testosterone filled wallet things!  Crafts and guys can’t seem to exist without some included excuse as to how this handmade craft is worthy of manly pursuits, and is even more rarely put into the context of traditionally feminine crafts. A man? Knitting? Making something with a needle? Still unfortunately a rarity. Even more unfortunately, a crafty guy is oft celebrated for his boldness of being a guy instead of his actual amazing quality of craft.

What about combining traditionally male things with this perceived feminine craft? Well, also a rarity depending on the context, but that’s why we were so honored when Alt.Kilt asked to collaborate with us on embroidering their hardcore kilts with designs that would suit guys’ tastes. So we thought we’d bring these two sides together: men doing needlework, and needlework for men. We just needed a guy who could take on both. Luckily for us, there is that guy. The guy who loves needlework for the sake of it, and the pure impressive quality of that craft. A guy man enough to wear an embroidered kilt and do needlework simultaneously, and look pretty rad doing it.

That man is none other than the revolutionary Mr X Stitch, aka Jamie Chalmers, and he’s been working hard through his wildley popular blog of the same name to show that stitching is a pretty wicked medium, no matter who is doing it. Still, despite embroidery’s advances in culture in the last decade, stitching as a guy still has its expectations and associations. We talked with Mr X about his similarly ironic introduction to stitching, and the wider world it led to. Jamie says…

I started for fun as I wanted something to do on a vacation and thought it would be funny to be a big guy doing cross stitch. Turns out cross stitch is a really pleasant craft and I was quickly hooked. I didn’t necessarily intend for things to evolve in the way that they did, but as my interest in contemporary embroidery grew, I decided to get out and make connections over here in the UK.

Through a growing love and by visiting events like the Knitting & Stitching Show, Jaime got to know magazine editors and other members of the UK craft scene, and things started to grow. Still, it’s not easy being a guy with a needle and thread.

Things are still evolving, but these are exciting times. I’ve gone through a fair few personal journeys in coming to terms with the socio-political paradigm that says that cross stitch is for grannies. I made myself do things like cross stitching on trains and in public, and some of my stitcheries have explored these feelings as well.

The biggest challenge for me was joining my local Embroiderers’ Guild branch – being a manbroiderer is easy online, but in the real world, in my home town, it’s a whole ‘nother matter.

Facing up to the stereotypes of stitching is difficult enough for embroidery in any context. The current world of embroidery started, like many revolutions, with a backlash statement that it was something that could be alternative, grungy, snarky, and counter-culture. That was perhaps easy to embrace from a woman’s point of view. “See!?” we said with our defiant needles, “We can reinvent this traditionally feminine craft and make it something new for ourselves!”

That was a great start for women, but it made it a slightly more difficult take for guys, who are still trying to deal with both the traditions and the new social associations of a reinvented feminine craft. This is especially hard when faced with a real, social craft world that the DIY culture has become. Where do they stand in this art, if it’s not for an assumed social statement?

It’s great to meet other men who stitch, as we’ve all gone through the same experience. The paradigm I mentioned before is very pervasive and I think all male stitchers have had to process the social responses to their craft. And I don’t think that’s going to change just yet.

Machine embroidery in many ways is going through a similar cycle, albeit a few years later than the traditional hand craft. The industry was slow to respond to an alternative idea of embroidery, which was in fact the very catalyst for the creation of Urban Threads. Things were more attainable for those who could just pick up a needle and thread and make things for themselves, but for machine embroidery, it meant waiting for a whole industry to turn around and notice. Its application can also be its biggest barrier to new audiences. If all you see of machine embroidery as a guy is logos on golf shirts and trucker hats, what is your expectation of the medium as an art form? This is a thought shared by Mr X:

One of the biggest issues with embroidery is that it is often just an aesthetic product. I think that men often like crafts that are more practical, so the current expansion in digitized embroidery, as championed by your good selves and our man Erich Campbell, is a great sign as it shows that men can pimp their clothes, as well as their cars. Hand embroidery is a great craft for soothing the soul, as it is both meditative and creative. However, it’s still quite a way from being cool in the mainstream and so we (the stitchers who want to change this world view) must use all the directions possible to overcome the paradigm that we face.

So where does that leave digitizing, and machine embroidery as an art form for guys? Well, as Mr X puts it optimistically,

I think there are some technological barriers with digitizing, but men like gadgets.

Well, he’s not wrong about that.

Sadly, he’s also not incorrect about it’s barriers. While machine embroidery might in some ways have the wizard-tech appeal to perhaps lure in tool-minded guys, it is still a relatively unknown and cost-prohibitive medium to dive into with abandon. Couple that with expectations of what kinds of designs are out there to even interest guys, and it’s still a large hurdle to overcome as a medium with artistic merit.

So, what’s the biggest barrier was to getting guys into craft, hand or machine alike? What can we do to get more guys into the fold, so to speak? Jamie has a couple of ideas of where there can be room for improvement.

The embroidery industry has a part to play in the reason why men don’t stitch. There’s not a lot out there for them to enjoy – a simple visit to any major craft store validates that statement. However, the changes in technology that we’ve seen in pattern design software and digital printing will go some way to changing these perspectives as it allows more creativity to come from the individual at home.

Perhaps embroidery’s biggest problem then is its assumed use and audience. If we can get past the “who” and the “what for,” maybe we can just look at it as pure design, out of context of what we think it should be. That, luckily, is exactly what Mr X Stitch and many other contemporary craft blogs and communities are working hard to do.  For example, the Mr X Stitch blog has a section where you can read specifically about contemporary male embroiderers in their eMbroidery feature. A vast wealth of artists are using the internet to bring a voice to their craft, and it’s hard to think that with enough exposure people will only ever associate “craft” with doilies, wooden ducks and grannies. Handmade has come back in a big way, and men have never shied away from making things with their hands. It’s just that we need to change our ideas as to what those things they might make are.

It’s good to see that the internet is enabling artists from around the world to discover one another and be inspired by each other. I think the prevailing schools of thought about gender and embroidery will remain for a while, however if the mainstream craft industry shifts to accommodate these changing views, and if the profile of embroidery as a valid art form and a craft that men can enjoy continues to rise, then we’re in with a shot.

Perhaps the most optimistic way of looking forward, then, is through the experience of sharing and collaborating on what embroidery is, and what it can be used for. We were absolutely thrilled to get a chance to work with Alt.Kiltand custom embroider one of their awesome creations to showcase on one of the manliest dudes in the embroidery world (we love you Mr X!). Their interest in utilizing embroidery and even machine embroidery as part of their traditionally guy-friendly offerings (though I wouldn’t mind one myself) is a good sign of things to come. Hopefully, the more we show that putting needle to thread results in cool things no matter what your gender, the more we’ll see people take it up in new ways. Reassuringly, the guy with arguably the most accurate finger on the pulse of the embroidery world seems equally optimistic about the medium.

I know that the stuff we do with needle and thread is really powerful on a spiritual level as well as a practical and political one, so I remain absolutely optimistic that we can turn the tide and get more people to share the love of the stitch.  We’ve barely gotten started, and I think people had better watch out!

Many thanks to the folks who worked to pull this feature together spanning two states, two continents, and many months. To Alt Kilt for providing such an awesome creation to display embroidery on, Mr X for being such a good sport about modeling, and Emma Beckett for the photography. Love those Celtic designs on the kilt? Grab em’ right here.


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.

The Mendhika Chair – Going Big and Bold with Embroidery

I’m very excited today that I get to share with you our latest project from The Laba UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery. These projects are usually collaborative adventures we take to see what crazy thing we can do with embroidery next.

If you follow our facebook or twitter, you’ll have seen that we were very honored to have this featured on Design*Sponge yesterday as part of their before and after series, and already gotten a peek at the project.  Today we’re here to talk about all the fun details and techniques that went into this bold and beautiful piece of furniture, and to share our leap into the world of embroidered furniture.

This project was extra special because it was our first dive into the furniture and upholstery world. We’ve done art, clothing, and fashion, but never this. I had seen beautiful fabrics that brought pieces to life, and even furniture reupholstered using found needlework… but how cool would it be to custom embroider a chair using special designs? Very cool. We thought at least.

For that we needed a little help, so for this Lab project Urban Threads teamed up with local upholsterer Jessica from Nouvelle Vie Furniture. Jessica worked with us to help us along with the one thing we pretty much knew nothing about: upholstering. Embroidery, we got it covered. Upholstery? Not so much. That’s why collaborations are so great!

So, after scouring our local Craigslist, we found this big ol’ medieval throne…

Not bad bones on it, and beautiful woodwork, but it needed an update and a little bit of love. We wanted to take this dark and broody chair and completely reinvent it into something modern and bright. So Jessica got to stripping, stuffing and painting, and we got to work on the embroidery.

With our new Mendhika collection, we knew we had the chance with these designs to do something extra special on our big industrial machines. You see, this chair is pretty big. Like throne big, and if you used just regular thread and our 10 inch size designs, you wouldn’t cover a lot of real estate or make as much of an impact. Luckily, these designs were both light enough and ornate enough to pull of a neat little trick using special thread called Burmilana.

Burmilana is a very thick, almost yarn-like thread that offers beautiful raised textured effects that give the embroidery a wonderful, old world folk feel.

The catch is that Burmilana is so thick it usually has to be used with specially digitized designs to keep the density low. Luckily, by enlarging these designs to take up more room on the chair, it reduced the density enough to use this special thread to wonderful effect. We didn’t need to do anything to the design at all!

If we had enlarged it and stitched it with regular thread, the designs would have looked far too light and thin, but with this beautiful thread, it came out perfectly. OK, so it’s still a bit of a pain to work with. You would not believe the amount of fuzz this stuff produces while stitching! But it worked its magic in the end, so the beautiful Mendhika designs could flow thick and true over a large expanse of the chair. I spent about 7 hours embroidering all the pieces for the chair (there are 6 designs in all), and then handed it back off to Jessica, who carefully upholstered it onto the newly painted chair.

The result is our darkly and slightly worse for wear chair has brightened up into the new bold and modern piece. It keeps the old world bones of the ornately carved wood and the thick beautiful embroidery, but mixes it with bright and modern colors and contemporary embroidery techniques. It’s a throne fit for both worlds and one that I think was a very successful experiment combining large scale embroidery with the world of upholstery. Machine embroidery can be pretty darn neat!

Many many thanks to Jessica for her amazing work on this chair and her fantastic sense of style. She took extra time to make sure all the designs were laid out right and everything came out smooth and beautiful. Also many thanks to my friend and amazing photographer Patrick Kelley for the lovely after shots of the chair that he pulled together in a single afternoon.

Want to give your own piece of furniture a shot? You can grab the Mendhika designs right here. Unless you have a giant hoop and the ability to enlarge designs, I would probably leave the Burmilana thread by the wayside, but these designs still have more than enough punch to bring any piece to life. Don’t be afraid to experiment and think out of the box when you’re trying to decide what to put these on. A chair can be as much a canvas for your stitches as a wall hanging could be.  Stitch something different, ON something different, and see what kind of impact you can make!


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.

Before & After Design*Sponge Feature

We’re so excited to share our latest Lab collaboration as an exclusive Before & After on one of our favorite blogs, Design*Sponge! For this project, we worked with local upholsterer Jessica of Nouvelle Vie Furniture to create this one of a kind embroidered chair using designs from our Mendhika series.

We used all kinds of special tricks on this one, which you can read a little about on the before and after. We’ll be sharing a full report on the project tomorrow, including how we made those giant versions of the designs! In the meantime, enjoy the post on Design*Sponge here, and raise a little glass in celebration for us.


The Baroque Punk Blazer – The Beauty of Stitches

Today we’ve got another very exciting collaboration project I’ve just been dying to share with you. We had great fun on our last collaboration, the Clockwork Natura Gown, and we wanted to keep pushing ourselves. This time, I wanted to not only see not only how machine embroidery could be applied to traditional fashion, but also to experiment with just what machine embroidery does best: stitch dimension.

So often we rely on design’s bold colors and outlining to define themselves, but real embroidery can do much more than that. Stitches alone offer a sculptural quality that when utilized, can bring a design to life just through their directions and fills. When looking back at embroidery through the ages, I was particularly inspired by the ornate qualities of the Baroque period. I thought it the perfect example of a “tapestry” of stitches and depth.

The test then, is to remove everything but stitch direction, and pull out a design that offers something only this kind of embroidery can… a deep and wonderful texture all of its own.

The Baroque Punk series is all about juxtapositions. The designs themselves are in a classic, ornate style, reflective of embroideries of old. The art itself, though, offers a twist on the theme, as they are heavily inspired by the alternate stylings of classic tattoos: sparrows, skulls, roses, and pistols. The jacket itself had to be a mix of these contradictions.

To pull such a thing to life, Urban Threads teamed up with Minneapolis designer Laura Fulk, whose highly acclaimed apparel has won multiple national awards and walked countless midwest catwalks. Laura wove together a beautifully tailored and modern jacket, juxtaposed with the raw edges of patchworked and hand-dyed fabrics. The embroidery itself was layered on top of the appliqued pieces, creating a rich tapestry and raw texture on top of a sharply tailored outfit.

The result, we think, is pretty awesome mix of styles.

The detail of the embroidery relies only on stitch direction and stitch type. Flat fills are mostly overlaid with thick satins, a stitch that offers beautiful dimension and depth in the light. Each design was crafted so it would both let the design be read clearly and catch the light from different angles.

The Baroque Punk  series comes in a variety of sizes, so even those with small hoops can recreate this larger tapestry effect by laying out these designs in one seamless piece. Place designs next to each other, and mirror others, to create a full collage of beautifully stitched designs. It doesn’t take a giant hoop to create a grand effect.

Most of all, the aim of this project is to get people to reevaluate what they think machine embroidery can do. If you play to it’s strengths and combine it with some seriously sweet design skill, it can really shine, and I hope to see it on more projects like this.

Given all that, one must give some mad props to the team of talent was pulled together to bring this project to life. None of this of course would have had such a gorgeous tapestry to live on if it weren’t for the stylings and skill of fashion designer Laura Fulk, who designed, dyed and stitched this whole jacket together in an amazingly short amount of time. The images were shot by photographer Burt Edwards, with model Lucie Mulligan rocking the look. Rockstar stylist Sara Capers, who made me look awesome for our last shoot, showed just what she can do to turn an updo into a mowhawk. We were all suitably impressed.

In all, this collaboration was a blast. I just love how the embroidery looks on this jacket, and it’s given me all kinds of ideas on where it can go next. From the machine to the catwalk and beyond, I hope.

Want to see just what you can do with the designs? Grab them all right here!

P.S.  Curious about the project? Stay tuned; on Monday we’ll have an exclusive behind the scenes post on the making of this gorgeous jacket.


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.

The Clockwork Natura Gown – Embroidery & Handmade Fashion

I just want to say, there’s a full in-depth feature on this dress, with behind the scenes shots and a cool giveaway over on Burdastyle today! But if you’d like a peek, I’ll give you a little scoop on the project…

I’m hoping you’ll agree, Urban Threads is working hard to try and change the usual offering of what machine embroidery can be, away from the usual teddy bears and traditional trappings. We love testing new ideas, and with this project, I wanted to see if we can change not just what machine embroidery is, but how machine embroidery is used.

We tried it a little bit with our upcycled Steampunk Coat, but this time, we wanted to go bigger and  design from concept to completion. Our goal: to make embroidery designed for one-of-a-kind fashion.

For this challenge, Urban Threads teamed up with the Victorian stylings of KMKDesigns, a local mother-daughter wonder team with a flair for the dark and dramatic, and who like us, are big fans a lot of steam and a little bit of punk. Together, we created a one-of-a-kind gown meant to show machine embroidery off of potholders and tea towels … and onto something else entirely.

FairShadow Photography    

FairShadow Photography    

FairShadow Photography   

Stitched on the gown are five pieces of the new Steampunk Natura series (see the whole series on SALE here), designed in conjunction with the dress, and created with this challenge in mind.

It was a great way to design from the ground up, with two goals … make something that works for everyday embroidery, and make something that works for fashion design. Essentially, finding shapes that complement form, while still working with sizes and designs made for any kind of embroidery project.

FairShadow Photography   

Don’t get me wrong, we still want to be able to stitch our quilt, bags and tea towels. It’s just, should the inspiration strike, we want to be able to make steampunk gowns and couture clothing as well. Sort of like having your cake and eating it too. Only this involved less calories and more corsets.

FairShadow Photography   

FairShadow Photography   

FairShadow Photography   

FairShadow Photography   

FairShadow Photography   

And boy, do I love it.

Getting all embroidered, sewn, dressed up, dolled up, and photographed was a monumental effort taken on by a dream team of collaborators all working towards bringing you the results of this project. Did I do this all on my own? Hellz no. We need a shoutout here.

I was lucky enough to nab the amazing Etsy sellers and dress design team of KMKDesigns, who worked with me from the very beginning to design something just for Urban Threads. Their skill and speed of creating dresses like this astounded me. From all the ideas they brought to the table, to the skill of their costume creations, I feel so freaking lucky to have these ladies in Minnesota.

I think you’ll also agree with me that though I’m not entirely camera shy, I certainly don’t usually look like this everyday. The exquisite hair and makeup talents of Sara Capers Style was really the only thing that gave me the courage to try out a full on photoshoot (usually I just set my camera on a timer and hide in a studio!) and boy, do I wish I could pull off this look every day.

Finally, none of much of this would matter without the amazing shots from FairShadow Photography, who brought this whole project to life and showcased the dress and the embroidery to perfection. Without her skills, well, let’s just say talking about it wouldn’t hold nearly as much interest.

We could not have done it without everyone pitching in an amazing effort, and there was a lot of fun to be had working with a team like this. Believe me when I say, a lot went in to this dress.

Want to know just how much?

We’ve got exclusive details, dress photos, and behind-the-scenes images on the making of, all in a feature on BurdaStyle!

Not only that, but they’re offering a chance to WIN a $50 Urban Threads gift certificate to start creating your own fashion masterpiece. Just check out the post and leave a comment there to enter!

And of course, when all this is said and done, it all comes down to getting your hands on some embroidery designs, doesn’t it? Want to grab the whole 9 piece Steampunk Natura set? There’s even more designs than what’s featured on the dress.


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.



The Steampunk Coat

I’m so excited to finally be able to share with you my super-secret steampunk project! If you follow us on facebook or twitter, you got a sneak peek at this coat last week, and here it is in all its gear covered glory…

The project idea for this was to take our designs and see how well we could incorporate them into a full fashion jacket, and somehow (not surprisingly) that turned into a full-on heavy stitched steampunk project!

The coat itself is handmade, though not by me. I actually picked it up at a clothing swap, so I’m afraid to say I don’t know who made it. Should someone spot their masterpiece do let me know, they did a fabulous job.

Everything from planning the designs to get everything to work well with the make of the coat, to figuring out which designs, where, and what colors took a a few hours of fiddling with templates. Then it was another full 8 hours of industrial machine stitching and a lot of praying that nothing would go wrong. Thankfully, it didn’t, which is kind of a miracle, because I’m known for stitching things to themselves at key moments.

The designs on the coat itself are as follows… I used the Clockwork Magic Keys border 8 times around the bottom hem, and an Airship Captain badge on the flap of each pocket with our large Clockwork Magic Raven on the back. Around the cuffs of the jacket are our Clockwork Romance roses & watch parts, hanging from a “pocket” is our Clockwork Magic Pocket Watch, and finally the Key To My Heart on the left breast. I stuck with the minimal color scheme of off-white and metallic copper, and I couldn’t be happier with how it all came together.

I topped it off with some new copper buttons, my trusty old top hat, and some steampunk-y accessories. I’m going to be marching around in it like a proper nerd at our local geek-fest Convergence this upcoming weekend, which this year happens to be steampunk themed! Here’s hoping I can open up some peoples eyes as to what machine embroidery can do.

If you’re in town, and as big a geek as I am, come say hi!

And trust me, this is just a peek of all the awesome steampunk stuff to come this week! Stay tuned…


This project is part of The Lab, a UT initiative to experiment, collaborate and innovate to see just what can be done with the art of embroidery.
Check out our other projects by searching for the UT Lab tag.