What a cute idea! Poke some holes in your old rubber gardening boots and stitch away. Get the full tutorial over on doe-c-doe.
Posts Tagged ‘boots’
Did you know spats were originally called spatterdashers? I think that’s like my new favorite word. Hopefully, this might just be your new favorite project. Learn to make these super cool spats from a thrifted sweater! Plus, no messing with button holes or buttoning them up every time. It’s sneaky like that.
It’s like steampunk, just casual steampunk. Kinda like casual Friday but with cooler hats.
…and yes, the more eagle eyed shoe lovers among you might recognize those as the same shoes from the tights tutorial. Sue me, they’re cute shoes.
Because I am in LOVE with these gorgeous distressed leather embroidered boots.
On closer inspection, gorgeous distressed leather machine embroidered boots…
aaannnd on even closer inspection, $500 gorgeous distressed leather machine embroidered boots…
Who thinks I need to figure out how to hoop a pair of boots?
Me too. If you’re a luckier gal than I, there’s still one pair left over at Gypsy Wagon. Until that day, I’m going to be scheming about boot hooping. Or find me some shoe elves.
Today’s featured project is keeping with our theme of everything steampunk, and I’m so excited to share this one with you!
Hand embroiderer Annie Maura (that’s right, this is hand embroidered) made this truly amazing steampunk corset to complete her geartastic costume, and she’s here to tell us a little about what went into this project, how crazy she is for trying this as a newbie, and how much she rocks at steampunk style!
Tell us a bit how you got into steampunk, and what inspired this project?
I guess I mostly got into steampunk through books and looking at pictures online of other people’s creations. It seems like a natural progression from growing up in a household where three airships chase each other around the top of the Christmas tree every year.
I’ve been costuming for a few years now and I realized that steampunk was a serious gap in my wardrobe. I think finding the boots was probably the final thing that inspired me to get to work.
Since you mention it, you might as well let us know where you got those boots, since I know people are going to ask! Like for instance, myself…
The boots! My husband and I were in Las Vegas for Thanksgiving last fall when we walked by the windows at ALDO and I saw them. I immediately went inside to investigate and found that they were rather outside my price range, but oh, so beautiful. After dinner, my husband, who had been struggling to find me a present for our fast approaching anniversary, decided that I had just picked out my gift. He liked the boots because they reminded him of WWII US Army Tanker Boots. He bought me the boots and I bounced up and down like a small child for the next two days. I found that you can still buy them on Amazon here.
What amazing embroidery! Talk us through what it was like embroidering this by hand. Do you love or hate satin stitches now?
Believe it or not, this was actually my first embroidery project. I did a test square on a swatch of fabric to see if embroidering the corset was an option or if I should find another way of embellishing it. I pieced the facing of the corset together and started work, one side at a time.
First, I combined the embroidery patterns on transfer paper and attached it to the facing. I outlined the design with back stiches, one side at a time, then ripped the paper away. This was the first chance I got to see how the colors I picked out worked together on the fabric. Even as I was filling in the design, I experimented a lot with how to fill some of the larger sections with satin stitches. Some of the gears have stitches that run rather differently from the others. I don’t really love or hate satin stitch, but I’ll be avoiding it for a while. I used buttonhole stitch for the last set of eyelets I did.
What made you choose the designs you did?
I had already established that I wanted gears of varying sizes to travel diagonally around the corset. I was experimenting with creating my own pattern when I found Urban Threads.
On the first side I used “Clockwork Magic – Cogs Border” with the omission of one cog, and the larger cogs from the bottom of “Clockwork Magic – Cogs in the Corner.” On the other side I subtracted two cogs from “Cogs in the Machine” and added the second flourish from “Cogs in the Corner” to tie it in with the other design. I played around a little bit before I found this combination. I considered including “Steam Octopus” as a reference to Gail Carriger’s “Parasol Protectorate” series, but I’m sure I’ll find some other place to put that little guy.
I can’t believe this was your first embroidery project! How long did it take you?
It took me about a month of embroidering 8-10 hours a day. How on earth was that possible? At the time I was working in a position where there were many hours spent waiting around for something to break and very little time actually spent working. To cope with this, I had previously been studying Latin and Old English at my desk. When I started this project, I switched to embroidery. It took my coworkers a few days to ask me what I was doing.
Was the corset made from a pattern, or did you design it yourself? What about the rest of the costume?
The corset was made using the Silverado pattern from Laughing Moon Mercantile, which is accurate from 1837-1899. This was my second corset made using this pattern, so I knew that if i didn’t screw anything up it would fit me perfectly. The facing is pieced from brown and red faux suede – completely not period, but I like how they look. The structure and boning are contained in the layer of white coutil underneath.
The skirt is from a Truly Victorian pattern for an 1878 Long Draped Overskirt (TV234) and is constructed in a brown pinstripe linen. I decided to go with something from the Natural Form bustle era because it doesn’t require wearing an actual bustle! I All that volume gathers in the back, but there’s no undergarment getting in the way as you explore the borders of the Empire in your airship. It was a very easy pattern to follow and it went together perfectly. The shirt is just something that I picked up at H&M years ago. I haven’t decided whether or not I’m going to replace it with something else. The goggles are a fairly recent acquisition, which I ordered from BrazenDevice’s Etsy shop. Setting them apart from many of the affordable goggles on the market, the strap is real leather and the lens frames are brass. This entire outfit is a work in progress, which I hope to continue accessorizing. I think at the very least, a hat is required.
Any interesting challenges along the way? What if anything would you try differently next time?
For some reason I inserted the busk in the center front panels before I started the embroidery. This meant that I couldn’t hoop the most central parts of the design. So, yes, I would have waited to start the real construction of the corset until after the embroidery was complete. Also, my fingertips were completely destroyed. I only use a thimble when the needle is being especially difficult.I kept thinking that they would callus, but I think I lost the top layer of skin on my thumb and forefinger at least three times. Of course, now they have some very respectable calluses.
Any advice for people looking to tackle a similar project?
An abundance of spare time doesn’t hurt, and patience. This isn’t the kind of project that can be finished quickly by pulling an all-nighter (as I am often tempted to do), so just take your time with it. And if you’re working with a new corset pattern, definitely don’t skip making a muslin. It would be incredibly depressing to finish the embroidery only to find that the corset needs to be let out or taken in.
Thanks so much for sharing Annie! I know we can’t wait to see what you add to it in the future, and I seriously can’t wait to see what amazing hand embroidery project you take on next. Something equally simple, like oh I don’t know, embroidering that steampunk octopus. Life size.
Do you want to be a featured project on StitchPunk? Drop us a line at email@example.com or upload your Urban Threads stuff to our flickr group!
A shiny new blog deserves a shiny new roundup! We’re starting fresh here, so let’s take a peek at what pretties have shown up in the flickr pool lately…
This little retro disk was a popular little freebie awhile back, and people have made all kinds of adorkable things with it, including this awesome little bag from Kentfield. We actually have a printout of this design taped to the side of one of our computers in back.
Yes, we’re that retro.
Can you believe this quilt? Look closely - that’s dozens of our Wonderland designs stitched alll over it!
Though not on the quilt though. That wouldn’t be nice.
This stunner was stitched up by horsehaircreek and I think we agree we’re all in love.
*In soviet Russia, machine embroiders you!*
Adorable little zippered pouch from donmark26. Plus, how cute is that little nesting doll fabric?
We got to show a little love to our hand stitchin’ peeps, and I am so in love with this fuzzy little needle punch kitteh.
I seriously don’t think that guy could get any cuter. I hope karalynnn has some seriously epic plans for kitty.
Finally, feeling an epic hunger for braaaiiinnzz yet? No? Well, that’s probably good for the rest of us anyway…
You know, I have to say, there’s something really beautiful about the marriage of zombies and polka dot fabric. I think zombies should try it more often. It would give ‘em a little pizzaz.
This precision stitched piece of zombie perfection has been brought to you by TiLT creations.
And the letter Z.
I think we’re off to a fine stitchy start here, peeps. Keep adding your fine threads to our the Urban Embroidery flickr pool and you might see them featured here!